The Festivus Film Festival was a Denver, Colorado-based annual film festival held in January. It featured independent films at historical venues in the Denver Highlands, including the Bug Theatre and the Oriental Theater. The Festivus Film Festival was founded in 2008 and ended in 2013. The festival lasted four days and played a variety of films including features, short films, animation and music videos. It was the largest independent film festival in Denver.
The festival was named after Festivus, a holiday celebrated on December 23 which was introduced in the Seinfeld episode The Strike. The festival founders liked and adapted the Festivus motto: "Festivus for the rest of us". The Festivus Film Festival was started to promote high-quality independent films in Denver, and provide an intelligent, "indie-friendly" audience for filmmakers.
The Festivus Film Festival expanded considerably since its inaugural year in 2008. In 2009 it expanded to a four-day event and added a filmmaker/VIP lounge at each venue. In 2010 the festival featured 12 world premieres, and had filmmakers from as far as Turkey and Australia attend to present their works. The subsidiary Laugh Track Comedy Festival was created in 2010 as a spin-off from Festivus' comedy shorts block (also called Laugh Track.) Also in 2012, MovieMaker Magazine named the Festivus Film Festival one of the "20 Coolest Film Festivals" in the country.
Best Editing: A Finger, Two Dots, Then Me
Best Cinematography: Ghosts of Old Highways
Best Animation: 999.999.999
Best Music Video: 100 Monkeys for Modern Times
Best Short Short: Halbschlaf
Best Experimental: Self-Sabotage
Best Documentary Short: The Forgotten Fruit
Best Documentary Feature: Facets of Winter
Best Narrative Short: Science of Death
Best Narrative Feature: Searching for Sonny
Best Editing: Calling on Others (Scott LeDuc and Andrew Matthews)
Best Cinematography: Brant Hadfield for The Last Legend
Best Animation: Noella Borie's The Face Shop
Best Music Video: Evan Nix for Tour Life (Total Ghost)
Best Short Short: Joe Petrilla's THE LINE
Best Experimental: Adam Badlotto's Only in Dreams
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