Thursday, February 14, 2019

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Lafayette Park is a historic urban renewal district east of Downtown Detroit and contains the largest collection of residential buildings designed by Ludwig Mies van der Rohe. The northern section planned and partially built by Mies is listed in the National Register of Historic Places. In 2015 it was designated a National Historic Landmark District. Lafayette Park is located on the city's lower east side directly south of the Eastern Market Historic District. In general, the neighborhood, including portions developed by other architects, has been regarded as an incubator of progressive architecture and one of the few historically stable urban renewal zones in the United States.

Lafayette Park is principally composed of two superblocks, which combine low- and high-density housing, in the manner favored by the Federal Housing Administration after World War II.

The first phase, formerly known as the Gratiot Redevelopment, was bounded by Hastings Street (later the Chrysler Freeway and, ultimately, the I-375), Gratiot Avenue, Orleans Street, and Lafayette Street. The developments in this section include:

The second phase, formerly known as the Lafayette Extension, is to the south, bounded by The I-375, Lafayette, Orleans Street, and Jefferson Avenue. The original developments in this portion include:


In 1963, considerable confusion was eliminated when the two phases, along with prior contained (and overlapping) developments variously called the Gratiot-Orleans Development Area, Lafayette Plaisance, and Lafayette Park-University City, were consolidated by the Lafayette Park Development Association, under the name of "Lafayette Park."

A greenway runs through the center of the entire development, beginning at Gratiot and continuing to the two blocks to the South, and is known as Lafayette Plaisance (between Gratiot and Lafayette), Lafayette Central Park (between Lafayette and Larned), and Lafayette Entry Park (between Larned and Jefferson). From 1960 onward, both of the superblocks became known as simply Lafayette Park. The conventional city block between Larned and Jefferson also contained two of the indigenous buildings that survived the clearcutting (the University Club and the Somerset Apartments) and several pre-renewal commercial buildings and one church line Gratiot to the north.

The development also borders on the Dequindre Cut Greenway, a rail-to-trail redevelopment following below Orleans Street.

Although Lafayette Park is most commonly identified with van der Rohe, Gunnar Birkerts and John Macsai played significant roles in the south half of the neighborhood.

Several factors came together to create the urban renewal zone that later became Lafayette Park. Firstly, FHA policies following World War II promoted aggressive "slum clearance," under the Housing Act of 1949, providing up to half of demolition costs on projects that often impacted African-American neighborhoods. Secondly, Detroit had been completely built out and lacked land that could be developed, which limited property tax revenue. thirdly, Walter Reuther, of the United Auto Workers, had made the development of mixed-income housing a priority.

The selection of this site operated to the detriment of Detroit's Black Bottom, the center of Detroit's African-American population, which featured a vibrant commercial district on Hastings Avenue. The zone, long named for its rich black topsoil, had previously been inhabited by various immigrant groups over the ages. In addition to the practice of targeting African-American neighborhoods for urban renewal, the neighborhood was also deemed suitable for redevelopment because it had a very high proportion of renters and very low property tax revenue.

Beginning in 1948, the Citizens Redevelopment Corporation was formed and began to acquire and demolish property in the Gratiot Redevelopment. Many of the original residents were relocated to the north and west. By the end of the final acquisitions, in 1967, 78 acres had been cleared.

The success of the project in increasing tax revenue was such that the city engaged a similar program in Corktown, leveling much of a neighborhood of frame houses in favor of industrial property. The process also repeated in the areas now inhabited by Blue Cross and Blue Shield, DTE Energy and the MGM Casino, Wayne State University, and the Detroit Medical Center, all of which were urban renewal zones.

Following World War II, the FHA favored mixed site plans including both high-rises and garden-style apartments or townhouses. That was a feature of redevelopment projects in many cities, including San Francisco, with its Gateway Center. In general, garden apartments, which had been constructed since the 1930s, have superblocks, generally with off-street entrances, are generally a maximum of two stories tall, repeat with identical buildings throughout a development, feature minimal ornamentation, and use landscaping to increase visual interest.

Initially, Minoru Yamasaki, Victor Gruen, and Oscar Stonorov were commissioned to create a site plan and design the residential buildings. Their initial design, in the Gratiot Redevelopment (the north half) involved 20 high-rise towers, some of square proportion and some rectangular, along with several dozen townhouses. The latter were notable for being clustered in a checkerboard pattern, with four two-story buildings surrounding a central courtyard.

Ultimately, the project could not find funding as mixed-income housing, and the original plan was not realized.

In 1956, when the project had been an open field for several years, Herbert Greenwald, a young Chicago developer, proposed to take on the project as a middle-income development. He conditioned his participation on using Ludwig Mies van der Rohe as the principal architect. At the time, Mies was an architecture professor at and the principal designer of buildings for the Illinois Institute of Technology. Mies had taken on sporadic projects outside of academic life, such as the Seagram's Building in Manhattan and 860-880 Lakeshore Drive in Chicago. Mies brought in Ludwig Hilberseimer and Alfred Caldwell, two of his associates at IIT, to serve as site planner and landscape architect, respectively. Joseph Fujikawa, who had received a master's degree studying under Mies and ultimately would become the successor to Mies's practice, was the chief designer for all of Mies's residential projects.

As reflected by promotional photos, the original site plan for the Gratiot Redevelopment featured five 22-story slab-shaped high-rises and four 22-story smaller and more square ones, as follows:

The plan was repeatedly changed throughout Mies's involvement. The first phase of the project proceeded substantially according to the final plan, with the construction of the Pavilion Apartment, originally conceived as part of a predecessor development that included the Wayne State School of Pharmacy. The Pavilion is a 22-story structure that resembles 860-880 Lakeshore in its use of 21-foot column bays with two nine-foot-wide windows. Heating and cooling is via hassock-like heat exchange units near the windows. The lobby, set inward from the perimeter, featured two stories and three elevators. An identical structure would be used in Lafayette Towers, below, though with a larger number of narrower windows on the same bays. Because American fire codes required the steel columns to be encased in concrete, the exposed "frame" of all three buildings is actually an ornamental I-beam.

The team proceeded to construct the Mies townhomes, which ultimately would be 186 units in four designs: there were a small number of two, three, and four-bedroom ranch-style townhomes with courtyards, with the balance being three-bedroom, two-story townhouses. The low-rise housing was set several feet above grade to minimize views of automobiles and generally featured central parking lots serving multiple buildings, but the courtyard homes had driveways that led to the front door. The general construction of the low-rise houses was a lightweight steel space frame from which 3-inch concrete slabs were hung for floors and glass panels for front and rear walls. The units are separated by fire brick walls and topped with flat roofs. The ends are capped by a grey-beige slip-coated brick common to the era. Two-story units are essentially glass on both ends, bisected on the first floor by a mechanical core, containing the kitchen.

The townhouses would be operated as apartments until 1961-1962, when they were converted into four co-operatives. Two vacant units had served as the first school for the neighborhood, with Chrysler Elementary being built shortly thereafter.

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