Monday, April 1, 2019

Paramount Theatre (Oakland, California) Informations

April 01, 2019 Posted By AdseRudita

The Paramount Theatre is a 3,040-seat Art Deco concert hall located at 2025 Broadway in Downtown Oakland. When it was built in 1931, it was the largest multi-purpose theater on the West Coast, seating 3,476. Today, the Paramount is the home of the Oakland East Bay Symphony and the Oakland Ballet, it regularly plays host to RandB, jazz, blues, pop, rock, gospel, classical music, as well as ballets, plays, stand-up comedy, lecture series, special events, and screenings of classic movies from Hollywood's Golden Era.

The Paramount Theatre was built as a movie palace, during the rise of the motion picture industry in the late 1920s. Palace was both a common and an accurate term for the movie theaters of the 1920s and early 1930s.[according to whom?] In 1925, Adolph Zukor's Paramount Publix Corporation, the theater division of Paramount Pictures, one of the great studio-theater chains, began a construction program resulting in some of the finest theaters built. Publix assigned the design of the Oakland Paramount to 38-year-old San Francisco architect Timothy L. Pflueger (1892–1946) of Miller and Pflueger. The Paramount opened at a cost of $3 million on December 16, 1931. Pflueger was also the designer of the Castro Theatre in San Francisco. The Art Deco design referred to the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris. The term Art Deco has been used only since the late 1960s, when there was a revival of interest in the art and fashion of the early 20th century.

Its exterior, with its 110-foot-high (34 m) tile mosaic of enormous[clarification needed] figures and a projecting Paramount sign which can be seen up and down the street, is impressive,[according to whom?] but it is the interior that rises to unequaled heights.[according to whom?] A 58-foot-high (18 m) grand lobby, with side walls made of alternating vertical bands of warm green artificial light panels and muted red piers, and with both ends and ceiling decorated with an almost luminescent grillwork, forms a regal introduction. Rare and costly materials are everywhere: hand-adzed quartered oak, Hungarian ash crotch, bird's-eye maple, Balinese rosewood, Malaysian teak, and Italian marble. The auditorium is unmatched for its refulgent splendor, with gilded galaxies of whorls and gold walls with sculpted motifs from the Bible and mythology. Outside and in, the Paramount radiates the dream-world escapism with which sought to beguile its customers. The Paramount organ was built by Wurlitzer for the Paramount Publix theaters: a four-manual, twenty-rank model called the Publix I (Opus 2164), which cost $20,000 in 1931.

The gala premiere on December 16, 1931, was attended by Kay Francis, star of the opening film, The False Madonna, and cast members Conway Tearle, Charles D. Brown, Marjorie Gateson, and William Boyd (not yet known as Hopalong Cassidy). Notable guests included California's governor James Rolph and Oakland mayor Fred N. Morcom. Tickets were first-come, first-served: sixty cents for the balcony seat and eighty-five cents for a seat in the orchestra. The program also included a Fox Movietone News newsreel, a Silly Symphony animated cartoon The Spider and the Fly, and the music of the Paramount's own 16-piece house orchestra, under the direction of Lew Kosloff. Last on the program was the stage show Fanchon and Marco's "Slavique Idea", a forty-minute revue featuring Sam Hearn, comedians Brock and Thompson, dancer LaVonne Sweet, the acrobatic Seven Arconis, Patsy Marr, and the Sunkist Beauties in a chorus-line finale.

In June 1932 the Paramount closed, unable to meet operating expenses of more than $27,000 per week. Competing with Paramount was the Fox Oakland Theater, which had opened in 1928. The Paramount stayed closed for nearly a year. The days when movie theaters could support not just the showing of movies, but entire orchestras, stage shows, and uniformed attendants, were over, just as the Paramount was being completed. When it reopened in May 1933, it was under the management of Frank Burhans, the manager of the Warfield Theatre in San Francisco. He was commissioned to get the Paramount out of debt, and his method for achieving this was to operate without either a stage show or an orchestra, and to unscrew light bulbs in an effort to reduce energy expenses. The Paramount showed the best of the new motion pictures, including such features as Dancing Lady (1933) with Joan Crawford and Clark Gable, Dames (1934) with Dick Powell, and The Gay Divorcee (1934) with Fred Astaire and Ginger Rogers. The Great Depression gave way to World War II, and the Port of Oakland became a major departure and arrival point for servicemen. The Paramount's comfortable chairs and spacious lounges were a favorite gathering place. In the 1950s, popcorn machines and candy counters were installed, and on the lobby walls the incandescent lights were taken out and replaced by neon tubing in red and blue. In 1953, it played the first CinemaScope movie The Robe with Richard Burton and Jean Simmons. The 1957 Elvis Presley's Jailhouse Rock attracted a thousand young people. At the end of the 1950s theaters were losing patrons to television, but the Paramount management responded with talent shows, prize nights, and advertising campaigns.

For a second time the Paramount closed on September 15, 1970, because it no longer was able to compete with smaller movie theaters in the suburbs. The Paramount's last film was Let It Be (1970) with The Beatles. In 1971, a Warner Bros. movie, The Candidate, starring Robert Redford, was filmed using the interior of the Paramount as one of the principal locations.

Hope surfaced in October 1972 when the Oakland Symphony Orchestra Association (OSO), in need of a new home, purchased the Paramount for $1 million, half of which was donated by the seller, National General Theaters—formerly the Fox Theaters-West Coast—with the other half coming from generous[clarification needed] private donors. The popcorn machines and candy counters were removed. With the help of restoration project manager Peter Botto, new, wider seats were installed, the distance between rows was increased to provide more leg room, and a replica of the original carpet was laid throughout the theater. Two bars, one on the mezzanine and one on the lower level, and a new box office were added. Skidmore, Owings and Merrill were consultants for the restoration, with Milton Pflueger and Associates assisting. The Paramount reopened on September 22, 1973, in its original 1931 splendor. Following the Opening the Oakland Symphony had sold out nearly all seats on subscription sales and sold out a majority of individual concerts.

But even with the house full the Paramount Theatre proved a financial burden to the Oakland Symphony. In addition the Oakland Symphony financed renovation costs with a $1 million loan. Rather than continue absorbing the Paramount's operating losses, the Oakland Symphony transferred the Paramount to the City of Oakland in 1975 for $1 in exchange for 40 years of free rent. They continued with that agreement until the Oakland Symphony Orchestra filed for Chapter 7 bankruptcy in September 1986.

Seeing an opportunity, a group of seven private citizens banded together and approached city officials with the idea of managing and operating the Paramount on behalf of the city as a nonprofit organization. They agreed, and the management structure has remained to this day.

Walking into the main lobby, with its gold ornamentation along the walls, curving staircase, and glowing light fixtures, is like taking a trip back through Old Hollywood. Public tours of the Paramount Theatre are given on the first and third Saturdays of each month, excluding holidays and holiday weekends. Documented in 1972 by the Historic American Buildings Survey, the theater was entered into the National Register of Historic Places on August 14, 1973, and became a California Registered Historical Landmark in 1976 and a U.S. National Historical Landmark in 1977.

Oakland East Bay Symphony (OEBS) was founded in July 1988, when musicians from the former Oakland Symphony Orchestra and the Oakland Symphony League joined to form a new orchestra. Since September 1990, Michael Morgan has been music director. Under Maestro Morgan's direction, the Symphony has become a leader in music education for young people, bringing orchestral music into schools throughout Oakland and the East Bay. More than 60,000 people attend the Symphony's performances at the Paramount Theatre, at churches and senior centers, and at other community sites each year. With its May 18, 2007, performance of George Gershwin's Porgy and Bess sold out, the Oakland East Bay Symphony opened its final rehearsal to the public.

In December 2007, the Oakland Ballet celebrated the 35th anniversary of Ronn Guidi's Nutcracker at the Paramount Theatre, with Michael Morgan conducting the music of Tchaikovsky.

The Paramount has hosted concerts by a wide variety of acts since the mid-1970s, including Bob Marley and The Wailers, Bruce Springsteen and The E Street Band, Prince, James Brown, Diana Ross, Bonnie Raitt, Al Green, Jeff Beck, Lionel Richie, B.B. King, Anita Baker, Brian Wilson, Elvis Costello, Gladys Knight, Lucinda Williams, and Nelly Furtado.

1974