Arlington Memorial Bridge Informations

The Arlington Memorial Bridge is a Neoclassical masonry, steel, and stone arch bridge with a central bascule (or drawbridge) that crosses the Potomac River at Washington, D.C., the capital of the United States. First proposed in 1886, the bridge went unbuilt for decades thanks to political quarrels over whether the bridge should be a memorial, and to whom or what. Traffic problems associated with the dedication of the Tomb of the Unknown Soldier in November 1921 and the desire to build a bridge in time for the bicentennial of the birth of George Washington led to its construction in 1932.

Designed by the architectural firm McKim, Mead, and White, decorated with monumental statues depicting valor and sacrifice by sculptor Leo Friedlander, cast by Ferdinando Marinelli Artistic Foundry, Florence, Italy, Arlington Memorial Bridge defines the western end of the National Mall. The bridge's draw span was permanently closed in 1961. The bridge has received minor repairs, but as of 2013 has never had a major overhaul and is deteriorating. The bridge is listed on the National Register of Historic Places. The Bridge's Draw Span will be restored in August 2016 and the bridge will be operated after restoration.

Congress first proposed a bridge at the site of the current structure on May 24, 1886. The resolution required that the United States Department of War study the feasibility of a bridge at the site, and a 24-foot (7.3 m) wide design was proposed later that year. The following year, the War Department suggested a "Lincoln-Grant Memorial Bridge". The Washington Post supported the idea of naming the bridge after both Robert E. Lee and Grant. Congress again passed a resolution requesting another design, and in late 1887 the department proposed a "General Ulysses S. Grant Memorial Bridge". The new bridge would be a suspension bridge 105 feet (32 m) high, with 98 feet (30 m) of clearance below it. Designs for the bridge at this time included a bare steel truss bridge, a low masonry arch bridge, and a Romanesque Revival structure by Paul J. Pelz with two massive central towers, two barbicans on each end, and exuberant ornamentation. Senator John W. Daniel sponsored legislation in 1897 funding a survey of the bedrock in the Potomac River. Congress approved the legislation the same year, and the United States Army Corps of Engineers began the survey in July. The survey was delivered in March 1898.

Because the bridge was conceived as a memorial to Grant, Congress repeatedly blocked funding for the bridge. But after the Corps' survey was complete, Congress authorized the Secretary of War to expend $5,000 ($150,580 in 2018 dollars) on a bridge design competition. To help improve the prospects for a bridge, a "National Memorial Bridge Association" was formed.[a] In July, four prominent bridge engineers from New York City — George S. Morrison, Leffert L. Buck, William H. Burr, and William R. Hutton — were invited to submit designs for a memorial bridge to honor American war dead.[b] A five-member board appointed by the Secretary of War[c] selected a design by William H. Burr and architect Edward P. Casey (designer of the Taft Bridge). Their design, based on the 1887 winning plan, called for a drawbridge made of steel and stone with 36 arches. A "classical" tower sat over each end of the draw span, on top of which would stand bronze statues of Victory. Statues of famous generals and statesmen (in either bronze or granite) would line both sides of the bridge.

Senator George F. Hoar blocked the bridge from being built in June 1900 because he opposed the design. The National Memorial Bridge Association began pushing again for a bridge in October 1900, and commissioned Connecticut architect George Keller to design plans. Keller's design went on display in Washington in November. Contrary to almost all previous designs, his bridge was low to the water and eliminated a draw span. His design featured a monumental Romanesque Revival arch for the D.C. approaches and a memorial column celebrating the Union on the Virginia side, both to be placed in traffic circles. Keller's design was published in architectural magazines, and by 1901 was widely seen as the appropriate design for the bridge.

In 1901, the American Institute of Architects proposed that the bridge extend New York Avenue NW (which then ended at 23rd Street NW) over the Potomac to Arlington National Cemetery. But once more, Congress did not act.

In 1900, the U.S. Senate created the Senate Park Commission to reconcile competing visions for the development of Washington, D.C., and especially the National Mall and nearby areas. Popularly known as the McMillan Commission after its chairman, Senator James McMillan of Michigan, the commission issued its report (commonly referred to as the "McMillan Plan") on January 15, 1902.

The McMillan Plan proposed siting a major new bridge and memorial at the western end of the National Mall, an area also known as West Potomac Park. Almost none of the National Mall west of the Washington Monument grounds and below Constitution Avenue NW existed prior to 1882. After terrible flooding inundated much of downtown Washington, D.C., in 1881, Congress ordered the Army Corps of Engineers to dredge a deep channel in the Potomac and use the material to fill in the Potomac shoreline (creating the current banks of the river) and raise this and much of the land near the White House and along Pennsylvania Avenue NW by nearly 6 feet (1.8 m) to prevent future flooding. This "reclaimed land" — which included West Potomac Park, East Potomac Park, the Tidal Basin — was largely complete by 1890, and designated Potomac Park by Congress in 1897. Congress first appropriated money for the beautification of the reclaimed land in 1902, which led to the planting of sod, bushes, and trees; grading and paving of sidewalks, bridle paths, and driveways; and the installation of water, drainage, and sewage pipes.

Although Congress did not formally adopt the McMillan Plan, it began to implement it piecemeal over the next several years. In 1910, Congress enacted legislation establishing the United States Commission of Fine Arts, a body of federally-appointed architects, landscape architects, and others who began to formally push for construction of the bridge envisioned by the McMillan Plan. On March 4, 1913, Congress enacted the Public Buildings Act which, among other things, created and funded an Arlington Memorial Bridge Commission whose purpose was to settle on a design for the bridge and report back to Congress. Its members included the President of the United States, President of the Senate, Speaker of the House of Representatives, and the chairs of the committees on public grounds and buildings of the House and Senate (or their designees). But Congress appropriated no money for the commission's operation due to the onset of World War I, and it remained inactive.

On November 11, 1921, President Warren G. Harding traveled to the dedication ceremony for the Tomb of the Unknown Soldier at Arlington National Cemetery. He became caught in a three-hour traffic jam because Highway Bridge (on which he traveled) could not handle the traffic. Resolving to prevent that from happening again, Harding sought an appropriation of $25,000 in 1922 to fund the work of the bridge commission. Congress approved his request on June 12, 1922.

Initially, the Arlington Memorial Bridge Commission proposed a site for the bridge at the New York Avenue site, upstream from its current position. But the Commission of Fine Arts (CFA), which had legislative authority to approve the siting and design of memorials, opposed the plan. With President Harding presiding, the Arlington Memorial Bridge Commission held a joint meeting with Vice President Calvin Coolidge and the Commission of Fine Arts on December 18, 1922, at which time it was unanimously decided to adhere to the McMillan Plan and site the bridge on a line of sight between the Lincoln Memorial and Arlington House in Arlington National Cemetery. The parties also agreed to seek to construct a low (rather than monumental) bridge with a bascule (drawbridge) in the center to permit ship traffic to reach the Georgetown waterfront.

The bridge commission asked the Commission of Fine Arts whether there should be an open design competition (as in the past) or whether the bridge commission should pick a designer itself. The CFA recommended a direct selection, and provided the names of three firms: Charles A. Platt, who designed the Freer Gallery of Art; Paul Philippe Cret, who designed the Pan-American Union Building; and the firm of McKim, Mead and White. The bridge commission chose a direct selection, and picked the firm of McKim, Mead and White on April 4, 1923. Architect William Mitchell Kendall was the lead designer.[d]

Members of the D.C. business community immediately pressed for resolution on whether the bridge would have a draw span. Merchants in Georgetown wanted their small harbor to be reachable by large ships. On February 17, 1923, Colonel C.O. Sherrill of the Army Corps of Engineers stated that the Corps would only approve a bridge with a draw span.

Kendall's first design, submitted to the CFA in May 1923, was generally well received. His plan envisioned a low, Neoclassical arch bridge. Two statues stood atop each pier on both sides of the bridge. The D.C. approaches consisted of a traffic circle around the Lincoln Memorial linked to the Potomac River by a plaza and monumental steps (the "watergate"). Two memorial columns were placed in this plaza. On the Columbia Island landing, Kendall envisioned a gigantic crossarm circumscribed by a grassy ellipse, with traffic circles at the terminus of the north and south arms. The traffic circles would accommodate Lee Highway and the Mt. Vernon Memorial Parkway. Within the ellipse were placed two 181-foot (55 m) tall memorial columns. Two circular Greek Revival temples were planned for the western shoreline. The commission was especially pleased that Kendall had the Rock Creek and Potomac Parkway linked to the traffic circle around the Lincoln Memorial rather than passing beneath the bridge via an arch. (Kendall had, in fact, intended to pass it through one of the bridge's arches but forgot to make the change.) However, CFA members asked that he consider widening the bridge to 100 feet (30 m) from the proposed 80 feet (24 m). The CFA also discussed at length its long-standing proposal for a major traffic circle on Columbia Island, within which would be placed a memorial to Robert E. Lee. There was also concern whether enough space had been allotted to permit the Mount Vernon Memorial Parkway, Lee Highway, and Memorial Drive (which was planned to cross the Boundary Channel via the Boundary Channel Bridge into Virginia and link with the main gate to Arlington National Cemetery). When the CFA gave its preliminary approval to the bridge design (but withheld a resolution on the approaches), models of the bridge went on public display in February 1924.

A bill authorizing construction of Arlington Memorial Bridge was introduced in the U.S. Senate on April 25, 1924, by Senator Bert M. Fernald. The Senate Committee on Public Buildings and Grounds reported out the bill in mid-May. But the legislation languished. With Congress due to adjourn on March 4, 1925, the Senate finally passed the bridge bill on December 30, 1924. Senator William Borah made a motion to reconsider the bill in late January 1925, Borah's motion did not ask the House to return the Senate-passed bill, so his motion would not affect the bill's passage either way.

The bridge authorization faced a far more difficult time in the U.S. House of Representatives. The House Committee on Public Buildings and Grounds speedily approved the bill and reported it on January 27, 1925, less than a month after receiving it from the Senate. But with a legislative logjam in the House and only about 30 days left in the legislative session, the bill's chances for approval seemed slim. Floor managers helping to guide the bill through the final approval process tried to bring the bill up for approval on January 30, believing they had the necessary two-thirds majority to suspend the rules to allow the bill to be considered. Instead, the House voted to suspend the legislative calendar — blocking all legislative except for appropriations bills.

Floor managers won a major victory, however, when the House quickly passed the appropriations legislation and allowed the bridge bill to be considered on February 18. There was significant opposition to the bill on the House floor. Many Democrats opposed the bill, and several Republicans felt it went against President Calvin Coolidge's budgetary restraint program. Many members of Congress received feedback from their constituents, who did not want their tax dollars to pay for a bridge in the District of Columbia. Representative Louis C. Cramton offered an amendment to the District of Columbia pay an "equitable amount" of the bridge's cost. (The amount was to be established by Congress at a future date.) His amendment passed by a vote of 103-to-89. Amendments to make the city pay 60 percent of the cost, to make the state of Virginia pay half the cost, and require the Army Corps of Engineers to build the bridge were defeated. Finally, the House approved the Arlington Memorial Bridge bill by a vote of 204-to-125.

The Senate agreed to the House amendments on February 20, and President Coolidge signed it into law on February 24, 1925. In 1926 Comptroller General John R. McCarl voided contracts for the construction of the $12.5 million bridge because they called for the hiring of a general contractor and not specific individuals, as he believed the law required. In 1927, Congress changed the law so the contracts could proceed.

The Arlington Memorial Bridge Commission oversaw the design and construction of the bridge. Arlington Memorial Bridge opened on January 16, 1932. The dedication ceremony was headed by President Herbert Hoover. Designed by architectural firm McKim, Mead, and White, the neoclassical bridge is 2,163 feet (659 m) long. The bridge cost $7.25 million to build, of which $900,000 was attributed to the center draw span.

Construction of the Virginia approaches to the bridge took six years. The National Capital Parks Commission (NCPC) had authority to plan and approve regional transportation plans, and wanted the Virginia approaches to the bridge to be new roads. This would help stimulate housing and economic growth in Arlington County. The state of Virginia (which would provide some of the funding for the approaches) and Arlington County officials wrestled with the problems of cost and development. New roads and approaches would be the most costly (largely due to the need to obtain rights-of-way), a major consideration in the Great Depression. Yet, connecting the bridge to existing roadways would not stimulate development. The choice of a route also had political considerations, as neighborhoods vied to be the recipient of this economic stimulus. The construction of Lee Boulevard (now known as Arlington Boulevard) and Washington Boulevard eastward both provided an opportunity for economic stimulus. The state and county eventually agreed to push Lee Boulevard north around Arlington National Cemetery. When this project ran into rights-of-way problems, the state and county constructed Washington Boulevard south around the cemetery. When the Lee Boulevard problems were resolved, and with the addition of large amounts of new federal dollars, the state and county resumed construction of the Lee Boulevard approaches. The Lee Boulevard approach finally opened in October 1938. The construction of The Pentagon in 1941 and extensive war-related building south of the cemetery in 1942 led the federal government to approve a second connection by extending Washington Boulevard past Arlington National Cemetery and over Boundary Channel as well.

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