Wednesday, April 7, 2021

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The Progress of Railroading is group of public artworks by American artist Louis St. Gaudens. This series of six sculptures were cut by Andrew E. Bernasconi, a high-grade Italian stone workman, between 1909 and 1911. These statues are located at Union Station in Washington, D.C., United States. The sculptures represent deities related to rail transport in the United States.

Six figures which stand at 18 feet high are on the main facade of the Union Station building. These granite sculptures are placed above three connected triumphal arches that make up the main entrance of the building. The six figures represent and mean:

The east and west figures are meant to deal with the operational system behind railroads and the center figures represent creativity.

The west section is inscribed:


The center is inscribed:

The east side is inscribed:

Two eagles also flank the left and right side of the arches.

When the Station was being constructed debate erupted regarding "who" the figures would be or represent. Historical American figures were considered, however, they did not fit into the Baroque architecture of the building, therefore allegorical figures were chosen. Many people were consulted regarding what figures to have St. Gaudens sculpt including Charles W. Eliot, the former president of Harvard University.

The Progress of Railroading sculptures were surveyed in 1994 by the Smithsonian's Save Outdoor Sculpture! program and was described as needing treatment.

The Progress of Railroading


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