Newport Jazz Festival Informations

The Newport Jazz Festival is a music festival held every summer in Newport, Rhode Island. Elaine Lorillard established the festival in 1954, and she and husband Louis Lorillard financed it for many years. They hired George Wein to organize the first festival and bring jazz to Rhode Island.

Most of the early festivals were broadcast on Voice of America radio, and many performances were recorded and released as albums. In 1972, the Newport Jazz Festival was moved to New York City. In 1981, it became a two-site festival when it was returned to Newport while continuing in New York. From 1984 to 2008, the festival was known as the JVC Jazz Festival; however, during the economic downturn of 2009, JVC ceased its support of the festival and was replaced by CareFusion. As of 2012, the festival is sponsored by Natixis Global Asset Management .

The festival is hosted in Newport at Fort Adams State Park. It is often held in the same month as the Newport Folk Festival.

In 1954, the first Newport Jazz Festival (billed as the "First Annual American Jazz Festival") was held at Newport Casino, in the Bellevue Avenue Historic District of Newport, Rhode Island. It incorporated academic panel discussions and featured live musical performances.

The live performances were set outdoors, on a lawn. These performances were given by a number of notable jazz musicians, including Billie Holiday, and were emceed by Stan Kenton.

The festival was hailed by major magazines and newspapers, and some 13,000 people attended between the two days. In general, the festival was regarded as a major success.

In 1955, organizers were planning a second year for the festival but needed to find a new venue. The Newport Casino would not again host the festival since its lawn and other facilities did not stand up well to such a large event. Festival backer Elaine Lorillard, with her husband, purchased "Belcourt", a large estate which was available locally, in hopes of hosting the festival there. However, the neighborhood disallowed that plan, citing concerns about potential disturbance. Consequently, the workshops and receptions were held at Belcourt, while the music was presented at Freebody Park, an arena for sports near the casino.

Some Newport residents were opposed to the festival. Jazz appreciation was not common within the established upper-class community, and the festival brought crowds of younger music fans to Newport. Many attendees were students who, in the absence of sufficient lodging, slept outdoors wherever they could, with or without tents. Newport was at first not accustomed to this. Traffic gridlock and other contention near the downtown venue were legitimate concerns. Moreover, many of the musicians and their fans were African American. Racist attitudes were probably a factor in some residents' opposition to the festival too as it commonly was across the country at that time.

Nonetheless, the festival continued annually and increased in popularity.

In 1960, boisterous spectators created a major disturbance, and the National Guard was called to the scene. Word that the disturbances had meant the end of the festival, following the Sunday afternoon blues presentation headlined by Muddy Waters, reached poet Langston Hughes, who was in a meeting on the festival grounds. Hughes wrote an impromptu lyric, "Goodbye Newport Blues", that he brought to the Muddy Waters band onstage, announcing their likewise impromptu musical performance of the piece himself, before pianist Otis Spann led the band and sang the Hughes poem.

The 1960 event was also notable for the presence of a rival jazz festival that took place at the Cliff Walk Manor Hotel, just a few blocks away. This was organized by musicians Charles Mingus and Max Roach in protest against the lower pay that the Newport festival offered jazz innovators in comparison with more mainstream performers; the fact that the innovators were mostly black and the mainstream performers mostly white was also an aggravating factor.

In 1961, presentation of the official Newport Jazz Festival was disallowed, due to the difficulties associated with the previous year's festival. In its place, another festival, billed as "Music at Newport", was produced by Sid Bernstein in cooperation with a group of Newport businessmen. That festival included a number of jazz musicians but was financially unsuccessful. Bernstein announced that he would not seek to return to Newport in 1962.

In 1962, the Newport Jazz Festival resumed at Freebody Park. Wein did not resurrect the extinct not-for-profit organization which had run the Newport Jazz Festival through 1960; instead, he freshly incorporated the festival as an independent business venture of his own. He was a music festival pioneer and would run many festivals besides the Newport Jazz Festival during his career.

The 1964 festival was the last at Freebody Park, since the event had outgrown that venue also. Festival organizers saw a need to move the festival outside of the downtown area, since the festival-caused gridlock there was a contentious point in the community. A suitable site, actually a simple but ample field, which would become known as Festival Field, was identified, and the move was completed for the 1965 festival. Frank Sinatra played the festival that year, and new attendance records were set.

The festival's 1969 program was an experiment in fusing jazz, soul, and rock music, and their respective audiences. Its lineup included, besides jazz performances, Friday evening appearances by such rock groups as Jeff Beck, Blood, Sweat and Tears, Ten Years After, and Jethro Tull. Saturday's schedule mixed jazz acts, such as Dave Brubeck and Miles Davis, with performers in other genres, including John Mayall and Sly and the Family Stone. On Sunday, James Brown was among those who appeared in the afternoon, followed in the evening by Herbie Hancock, blues musician B. B. King, and the English rock group Led Zeppelin.

Davis remarked that the various artists involved were highly encouraging to each other and that he enjoyed the festival more than ever before. He also noticed and appreciated the spirited nature of the younger audience.

But some clashes did occur. Excess crowds, estimated at 20,000, who had been unable to obtain tickets filled an adjacent hillside, and the weekend was marred by disturbances, including fence crashing and crowd surging, during the most popular performances. Saturday evening's disturbances were particularly significant, prompting producer George Wein, who feared a riot, to announce that the Sunday evening Led Zeppelin appearance was cancelled. That show was allowed to go forward as initially scheduled after much of the overflow crowd had left the city, following the cancellation announcement.

For 1971, the festival booked The Allman Brothers Band, a Southern rock group. Many more fans were drawn than Festival Field could accommodate. On the second night, after the recording of what would become The Dave Brubeck Quartet featuring Gerry Mulligan - The Last Set at Newport, over 12,000 people on the adjacent hillside crashed the fence during Dionne Warwick's performance of "What the World Needs Now Is Love". The festival was halted after the stage was rushed and equipment destroyed. The festival would not return to Newport in 1972.

In 1973 the festival was held at Fenway park in Boston MA, however the festival ended in an outbreak of violence, and the ballpark did not host another concert until 2003.

In 1972, festival producer George Wein transplanted the festival to New York City, calling it the Newport Jazz Festival-New York. An expanded format involved multiple venues, including Yankee Stadium and Radio City Music Hall, and comprised 30 concerts with 62 performers including Dave Brubeck, Ray Charles, Duke Ellington, Roberta Flack, and Dizzy Gillespie. This format continued for the next years, but Wein missed the outdoors of Newport which the venues of New York City failed to duplicate.

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